Cameron was wonderful and we have had so many comments about him, we will be passing clock work operas name on to people for upcoming events!

Jo Gandon
Wedding
(12th Sept 09)

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Nicholas Lester

Australian baritone Nicholas Lester, a recent graduate of the National Opera Studio (London), attended the Adelaide Conservatorium of Music and is now resident in London where he studies with Russell Smythe. 

On the concert platform Nicholas Lester has performed the Messiah, Elijah, Brahms Requiem, Fauré Requiem, Bach Cantatas and Rameau Motets.

His roles have included Aeneas Dido and Aeneas (Adelaide Festival), Speaker The Magic Flute and Paris Roméo et Juliette (British Youth Opera), Pasha Selim The Seraglio and Kagler Wiener Blut (English Touring Opera), Leporello Don Giovanni Jerwood Scenes (Glyndebourne Festival Opera), Theseus A Midsummer Night’s Dream (Co-Opera, Australia), Fiorello & Officer Il Barbiere di Siviglia, Flora’s servant La Traviata (Opera Holland Park).

Other roles include Marcello La bohème, Onegin Eugene Onegin, Figaro Il barbiere di Siviglia, Il Conte Le nozze di Figaro, Belcore L’elisir d’amore, Mr Gedge Albert Herring, Tarquinius The Rape of Lucretia, Don Alfonso Cosi fan tutte, St Brioche The Merry Widow, 2nd Prisoner Fidelio, Colonel Calverly Patience, Pirate King The Pirates of Penzance, Sir Joseph Porter HMS Pinafore.

Recent engagements include a concert with Welsh National Opera orchestra, Belcore (cover) at Welsh National Opera, Vaughan Williams Five Mystical Songs the Fauré Requiem at St Martin in the Fields and Messiah with Laurence Cummings and the Guilford Philharmonic Orchestra.

Forthcoming and future engagements include Kuligin Katya Kabanova Opera Holland Park, The Foreman Jenufa for Glyndebourne Opera on Tour and Schaunard La boheme for Nationale Reisopera.

Awards and scholarships include the 2008 Anne Woods/Johanna Peters Award (Glyndebourne Festival Opera), Simon Fletcher Charitable Trust, Tait Memorial Trust and Nicholas Lester gratefully acknowledges the generous support of Chris Ball and Serena Fenwick.

John Evanson

Originally from Burton-on-Trent, John is a music graduate of the University of Bristol, where he was also organ scholar at St. Mary Redcliffe church. It was there that he first started to study singing in earnest.  After receiving a first class mark for his final recitals, John remained in Bristol and became a Lay Clerk at the Cathedral, where he was also Acting Organist over the summer of 1998, until the summer of 2000 when he left to commence postgraduate vocal studies at the Royal Academy of Music with Janet Price and Timothy Barratt. He received the PGDipRAM in 2003.

An experienced soloist, he has performed with choral societies and choirs all over England and Northern Ireland. Recent works include: The Creation Haydn; Petite Messe Solonelle Rossini; St. Paul Mendelssohn; Reqiuems Mozart, Fauré, Duruflé and Guy Turner; Messiah Handel, St. John Passion, Magnificat and Mass in B minor Bach and various masses and cantatas. John has been a principal artist with Diva Opera, one of the country’s leading chamber opera groups and has toured France, Italy, Moscow, England and the Channel Islands taking ensemble rôles as well as: Jailer Tosca; Captain Eugene Onegin; Officer Il Barbiere di Siviglia and Uncle Yakuside Madama Butterfly.  Other operatic rôles include: Sarastro Die Zauberflöte; Commendatore Don Giovanni; Cross Crosshaulsen Paul Bunyan; Mikado The Mikado; Agamemnon La Belle Hélène; Hermit Der Freischütz with New Youth Opera and Pistol Falstaff with The Bright Angel Theatre Company. He also still enjoys professional choral singing and freelances with numerous choirs in and around London including: St. Paul’s Cathedral; Westminster Abbey; Westminster Cathedral; the London Oratory; Philharmonia Voices; Southwark Voices; The Armonico Consort; Ex Cathedra and The BBC Singers.

John still works as an organist and gained the ARCO diploma in 1996. He is also a recognised accompanist and repetiteur, having played for many concerts, auditions, recitals and exams, most regularly at the Royal Academy of Music. Since 2000 he has been accompanist to the Senior and Chamber Choirs of the Finchley Children’s Music Group and with them has toured Paris, Belgium, Reims and the South West of England. For Christmas 2005, FCMG released a best-selling charity CD which reached the Christmas number one spot in the Classic FM Chart.

For fun, when able, he plays with the London and Southern Counties Second Section Champion Brass Band, East London Brass (newly promoted to First Section). In 2005, he gave a charity performance of Tubby the Tuba with the Watford Philharmonic Orchestra and Richard Baker narrating and, in 2009, a part performance of the Vaughan-Williams Tuba Concerto with the Symphonic Wind Orchestra of North London.


Oliver Gibbs

Born in London and gained a degree in Theatre Studies and English Literature at Lancaster University and a postgraduate diploma in acting from the London Academy of Performing Arts. After initially following a career in acting he subsequently concentrated on his singing with spells appearing in the chorus with The D'Oyly Carte Opera and Grange Park Opera. He has performed principal roles such as Eugene Onegin, The Count and Figaro (Figaro), Coppelius
(Tales of Hoffmann), and Malatesta (Don Pasquale) with Opera South-East, Midsummer Opera, Aquarian Opera, and Opera Del Mar. He has also appeared as Dromio di Efeso in Storace's Gli Equivoci at the Batignano Festival in Tuscany and
presented a solo recital at the Edinburgh Festival. Other roles include Mustapha (Italian Girl in Algiers) for Bath Opera, Giorgio Germont (La Traviata) for Windsor and Eton Opera, Silvio (Pagliacci) for Riverside Opera, and Captain Corcoran
(H.M.S. Pinafore) for Carl Rosa Opera. He has more recently sung the roles of Dr Bartolo (Barber of Seville) for Opera East, Father (Hansel & Gretel) for Opera Minima, and John Dee in the new opera Songs of Alchemy by Kirsten Morrison – a
role created for him. He is also a member of the extra chorus at the Royal Opera House.

Goldie & Grant

Elliot Goldie, Tenor from Hawick in the Scottish Borders, and Peter Grant, Bass-Baritone from Edinburgh, perform Scottish songs superbly.

The duo draw inspiration from the music of their homeland and have created an exciting programme of duets and solos, where their voices blend seamlessly together.  Their Scottish repertoire includes well-loved songs such as:

  • Bonnie Dundee
  • Will Ye no come back again
  • Ae fond kiss
  • Highland Cathedral
  • Road to the Isles
  • Wee Cooper o’ Fife
  • My love is like a red, red rose
  • Rowntree

Goldie and Grant are equally at home in intimate venues as they are singing their hearts out in front of 10,000 people.  They recently joined the Scottish Symphony Orchestra for the prestigious Grand Scottish Proms at Glamis Castle.  

 

The men met while studying at the Guildhall School of Music and Drama in London.  They have both pursued successful careers as Opera Singers with companies such as The Royal Opera, Scottish Opera and English Touring Opera.  However, Scottish songs are their first love and a joy for them to perform.  So, if you are looking for professional musicians and entertainers to mark St.Andrew’s Day, to add some colour and passion to a Burns supper, or just to celebrate all things in Scottish music, then Goldie and Grant are for you…